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LEONE
2005
Pierre Gonnord
Photography
100 x 100 cm
Photograph
The title of every photograph is a first name, which is a way of emphasizing the fact that, far from being predatory in his approach, Pierre Gonnord knows each of his models and their history. For him, the artistic encounter always goes hand in hand with the human encounter.
Text : Carole Vantroys.
Translation : Pamela Hargreaves.
The title of every photograph is a first name, which is a way of emphasizing the fact that, far from being predatory in his approach, Pierre Gonnord knows each of his models and their history. For him, the artistic encounter always goes hand in hand with the human encounter.
Text : Carole Vantroys.
Translation : Pamela Hargreaves.
Pierre Gonnord
France
Born in 1963
Born 1963 in Cholet, France.
Lives and works in Madrid, Spain, since 1988.
Bowled over by Iberian vitality, Pierre Gonord moved to Spain on impulse in the late 1980s. But not until a dramatic event occurred (the death of one of his brothers) in 1996 did this ex-marketing man decide to take up photography. With the brazenness of all autodidacts, he boldly reworked Velázquez, Goya, Caravaggio, Zurbarán, Géricault, Soutine and Nadar. In his three-quarter-face portraits, set against a black background, the swimmers wearing bathing caps and facial piercings, the Japanese monks, Gypsies and other outcasts of society of whom he is fond adopt a hieratic pose, as the use of chiaroscuro reveals part of their soul. Staring straight into the camera lens, they form a multi-ethnic frieze tantamount to a meditation on identity: a veritable voyage out.
Text : Carole Vantroys.
Translation : Pamela Hargreaves.
Lives and works in Madrid, Spain, since 1988.
Bowled over by Iberian vitality, Pierre Gonord moved to Spain on impulse in the late 1980s. But not until a dramatic event occurred (the death of one of his brothers) in 1996 did this ex-marketing man decide to take up photography. With the brazenness of all autodidacts, he boldly reworked Velázquez, Goya, Caravaggio, Zurbarán, Géricault, Soutine and Nadar. In his three-quarter-face portraits, set against a black background, the swimmers wearing bathing caps and facial piercings, the Japanese monks, Gypsies and other outcasts of society of whom he is fond adopt a hieratic pose, as the use of chiaroscuro reveals part of their soul. Staring straight into the camera lens, they form a multi-ethnic frieze tantamount to a meditation on identity: a veritable voyage out.
Text : Carole Vantroys.
Translation : Pamela Hargreaves.
Artwork of
Pierre Gonnord
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