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Untitled
1992
Françoise-Anne Dupertuis
Mixed media
130 x 106 cm
Collages, paper and pigments on wood.
Françoise-Anne Dupertuis' paintings are a contrast to her video work. She developed a meticulous technique of roller-pressing coloured paper on a frame. By highlighting the physical aspect of the painting, she creates a subtle layering of colours and material that invites the viewer to go beyond the initial perception and questions the composition of the work.
Françoise-Anne Dupertuis' paintings are a contrast to her video work. She developed a meticulous technique of roller-pressing coloured paper on a frame. By highlighting the physical aspect of the painting, she creates a subtle layering of colours and material that invites the viewer to go beyond the initial perception and questions the composition of the work.
Françoise-Anne Dupertuis
Swiss
Born in 1960
Dupertruis is a Swiss artist who studied at the Fine Arts School of Lausanne. After setting up in Paris in 1985, she began working mainly with video film productions. In 1992, the French Ministry of Foreign Affairs bought three of her works for various embassies, including the French Embassy in Luxembourg.
Her paintings are a contrast to her video work. She developed a meticulous technique of roller-pressing coloured paper on a frame. By highlighting the physical aspect of the painting, she creates a subtle layering of colours and material that invites the viewer to go beyond the initial perception and question the composition of the work.
Hôtel de la Monnaie, Mac 2000, Grand Palais, Swiss Cultural Centre in Paris.
Her paintings are a contrast to her video work. She developed a meticulous technique of roller-pressing coloured paper on a frame. By highlighting the physical aspect of the painting, she creates a subtle layering of colours and material that invites the viewer to go beyond the initial perception and question the composition of the work.
Hôtel de la Monnaie, Mac 2000, Grand Palais, Swiss Cultural Centre in Paris.
Artwork of
Françoise-Anne Dupertuis
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