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Structure cercle
1993
Takashi Naraha
Sculpture
130 x 125 x 30 cm
© ADAGP.
Using large blocks of mat granite, Nahara creates a series of pure, smooth and black geometric forms – cubes, pyramids, cylinders – one shape contrasting with the other but all of the same material. The perfect, shiny, black granite forms are highlighted by blocks of the same granite left in their untouched state with their irregular contours.
Based on the contrasts between void and volume, and between polished and natural surfaces, Nahara reveals the Zen inspiration in which the real nature of the universe unifies any contradictions. In this work, Takashi Naraha performsa calligraphic exercise in three dimensions on the theme of the Zen circle, thesymbolic icon of the void conducive to meditation. Deliberately drawing asimple imperfect circle in the infinite circle of the universe is tantamount torealizing that the imperfection of our insignificance and the perfection of allthings make one entity.
Using large blocks of mat granite, Nahara creates a series of pure, smooth and black geometric forms – cubes, pyramids, cylinders – one shape contrasting with the other but all of the same material. The perfect, shiny, black granite forms are highlighted by blocks of the same granite left in their untouched state with their irregular contours.
Based on the contrasts between void and volume, and between polished and natural surfaces, Nahara reveals the Zen inspiration in which the real nature of the universe unifies any contradictions. In this work, Takashi Naraha performsa calligraphic exercise in three dimensions on the theme of the Zen circle, thesymbolic icon of the void conducive to meditation. Deliberately drawing asimple imperfect circle in the infinite circle of the universe is tantamount torealizing that the imperfection of our insignificance and the perfection of allthings make one entity.
Takashi Naraha
Japan
Born in 1930
Born in Mito, Japan
Takashi Naraha discovered diabase, his sculptural stone, near Malmö in Sweden, where he has lived since 1975. Out of these blocks of very dark granite, which he now uses exclusively for his sculptures, he cuts pure geometric forms: cubes, pyramids or cylinders. Producing a constant dialogue between hollows and solids, polished and rough surfaces, shiny and matt effects, he respects the Zen concept of unity in opposites in his play of contrast between raw and worked materials.
In this work, Takashi Naraha performs a calligraphic exercise in three dimensions on the theme of the Zen circle, the symbolic icon of the void conducive to meditation. Deliberately drawing a simple imperfect circle in the infinite circle of the universe is tantamount to realizing that the imperfection of our insignificance and the perfection of all things make one entity.
Takashi Naraha discovered diabase, his sculptural stone, near Malmö in Sweden, where he has lived since 1975. Out of these blocks of very dark granite, which he now uses exclusively for his sculptures, he cuts pure geometric forms: cubes, pyramids or cylinders. Producing a constant dialogue between hollows and solids, polished and rough surfaces, shiny and matt effects, he respects the Zen concept of unity in opposites in his play of contrast between raw and worked materials.
In this work, Takashi Naraha performs a calligraphic exercise in three dimensions on the theme of the Zen circle, the symbolic icon of the void conducive to meditation. Deliberately drawing a simple imperfect circle in the infinite circle of the universe is tantamount to realizing that the imperfection of our insignificance and the perfection of all things make one entity.
Artwork of
Takashi Naraha
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