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Panorama
1995
Dominique Dehais
Painting
150 x 279 cm
Acrylic on medium. © ADAGP.
Panorama explores the limits between sculpture and painting, between decorative coloured panels and conceptual art. After painting wooden boxes, the artist brings them together in a random fashion, resisting the temptation to create an aesthetic affect. The result is an unplanned construction of colours that invites the viewer to go beyond their initial perception of the work.
Panorama explores the limits between sculpture and painting, between decorative coloured panels and conceptual art. After painting wooden boxes, the artist brings them together in a random fashion, resisting the temptation to create an aesthetic affect. The result is an unplanned construction of colours that invites the viewer to go beyond their initial perception of the work.
Dominique Dehais
France
Born in 1950
French artist.
Dehais studied at the National School of Fine Arts in Paris and the School of Modern Art. He then went on to teach at the Camondo School, and most of his research deals with colour.
Panorama explores the limits between sculpture and painting, between decorative coloured panels and conceptual art. After painting wooden boxes, the artist brings them together in a random fashion, resisting the temptation to create an aesthetic affect. The result is an unplanned construction of colours that invites the viewer to go beyond their initial perception of the work.
National Museum of Modern Art – Pompidou Centre, Centre of Contemporary Art in Mont de Marsan, Martin List Foundation in Colorado Springs
Dehais studied at the National School of Fine Arts in Paris and the School of Modern Art. He then went on to teach at the Camondo School, and most of his research deals with colour.
Panorama explores the limits between sculpture and painting, between decorative coloured panels and conceptual art. After painting wooden boxes, the artist brings them together in a random fashion, resisting the temptation to create an aesthetic affect. The result is an unplanned construction of colours that invites the viewer to go beyond their initial perception of the work.
National Museum of Modern Art – Pompidou Centre, Centre of Contemporary Art in Mont de Marsan, Martin List Foundation in Colorado Springs
Artwork of
Dominique Dehais
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