Zoom
Chicago I
2005
Philippe Cognée
Peinture
250 X 150 cm
Peinture à la cire sur toile.
© Adagp, Paris, 2007
Ce sont des clichés par satellite retransmis en direct sur Internet qui inspirent le travail de Philippe Cognée. Ses vues démesurées de New York, Los Angeles, ou comme ici Chicago, décrivent des paysages labyrinthiques, à la limite de l’abstraction, dans lesquels les notions d’échelle et de perspective sont abolies.
© Adagp, Paris, 2007
Ce sont des clichés par satellite retransmis en direct sur Internet qui inspirent le travail de Philippe Cognée. Ses vues démesurées de New York, Los Angeles, ou comme ici Chicago, décrivent des paysages labyrinthiques, à la limite de l’abstraction, dans lesquels les notions d’échelle et de perspective sont abolies.
Philippe Cognée
France
Né en 1957
Born in Nantes, France
Philippe Cognée lived in Bénin until 1974 when he came to France to study art. He had his first personal exhibition in 1982. In the early Eighties, Philippe painted figures and mythological scenes. He made roughly hewn wood sculptures.
In the Nineties and 2000 plus, he developed a new process. He took photographs or made videos with a camcorder, printing photos
that become encaustic paintings on wood or canvas which, in the last stage, are crushed with a household iron. He says he is seeking "confusion between the underneath and the surface, always sensitive to descriptions of our relations with substance, mud and indistinct elements before the shape."
"In my opinion, the definition of an artist could simply be: someone seeking to be fair to himself and with his time in order to really exist. It is the conquest of liberty and life. I want to try and believe that painting is a mean that will take me somewhere about, way beyond discussion about art."
Philippe Cognée depicts his ever day life reality: landscapes, cities, houses, interiors, monuments, objects, pieces of furniture, portraits. Encaustic gives his paintings a special touch, in which he tries to thin down the form in the substance, “to make things disappear in light”. In 2003, he made a new series of paintings representing animal cadavers, carcasses seen at the butchery.
Philippe Cognée lived in Bénin until 1974 when he came to France to study art. He had his first personal exhibition in 1982. In the early Eighties, Philippe painted figures and mythological scenes. He made roughly hewn wood sculptures.
In the Nineties and 2000 plus, he developed a new process. He took photographs or made videos with a camcorder, printing photos
that become encaustic paintings on wood or canvas which, in the last stage, are crushed with a household iron. He says he is seeking "confusion between the underneath and the surface, always sensitive to descriptions of our relations with substance, mud and indistinct elements before the shape." "In my opinion, the definition of an artist could simply be: someone seeking to be fair to himself and with his time in order to really exist. It is the conquest of liberty and life. I want to try and believe that painting is a mean that will take me somewhere about, way beyond discussion about art."
Philippe Cognée depicts his ever day life reality: landscapes, cities, houses, interiors, monuments, objects, pieces of furniture, portraits. Encaustic gives his paintings a special touch, in which he tries to thin down the form in the substance, “to make things disappear in light”. In 2003, he made a new series of paintings representing animal cadavers, carcasses seen at the butchery.
Œuvre de
Philippe Cognée
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