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14th May 1958
Pierre Soulages
Painting
96,5 x 130 cm
Pierre Soulages used a diverse range of organic matter like tar, lamp black and ivory black, as used in prehistoric art and the first charcoal drawings made in the darkness of caves.
Pierre Soulages’ painting is a dialogue with the painting itself.
The painting presented here is one such example. The composition is reasonably classical and respects the lines of force and pressure points, with the masses balanced within the frame.
The shade and transparency in the areas of contact between the background and the signs, the visible overlapping of successive layers of paint create a depth of field in the painting.
© Adagp, Paris, 1958
Pierre Soulages’ painting is a dialogue with the painting itself.
The painting presented here is one such example. The composition is reasonably classical and respects the lines of force and pressure points, with the masses balanced within the frame.
The shade and transparency in the areas of contact between the background and the signs, the visible overlapping of successive layers of paint create a depth of field in the painting.
© Adagp, Paris, 1958
Pierre Soulages
France
Born in 1919
French painter.
As a young artist, Soulages became interested in Roman art and prehistory. In 1946, he devoted himself to painting. Early on, his paintings were noticed for being different from the very colourful post-war painting. Black occupies a predominant place. Although he claims not to belong to any particular school of artists, his painting shows ties with the work of Hartung, Rothko, Kooning, Kline and Stella. Pierre Soulages is part of the generation of post-war abstract painters.
From the early 1950s, his painting was recognised and bought by the most prestigious institutions. More than 150 of his paintings are on display in collections of modern art in museums around the world.
Pierre Soulages used a diverse range of organic matter like tar, lamp black and ivory black, as used in prehistoric art and the first charcoal drawings made in the darkness of caves. Pierre Soulages’ painting is a dialogue with the painting itself.
As a young artist, Soulages became interested in Roman art and prehistory. In 1946, he devoted himself to painting. Early on, his paintings were noticed for being different from the very colourful post-war painting. Black occupies a predominant place. Although he claims not to belong to any particular school of artists, his painting shows ties with the work of Hartung, Rothko, Kooning, Kline and Stella. Pierre Soulages is part of the generation of post-war abstract painters.
From the early 1950s, his painting was recognised and bought by the most prestigious institutions. More than 150 of his paintings are on display in collections of modern art in museums around the world.
Pierre Soulages used a diverse range of organic matter like tar, lamp black and ivory black, as used in prehistoric art and the first charcoal drawings made in the darkness of caves. Pierre Soulages’ painting is a dialogue with the painting itself.
Artwork of
Pierre Soulages
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